When a show is named “Chief of War,” it raises expectations for stunning combat scenes and wartime turmoil. Apple TV+’s latest historical saga rises to meet these standards with finesse. From a chilling beach assault to a striking volcanic clash, “Chief of War” presents heart-pounding battle sequences that may leave you feeling invincible.

Though the clashes are unforgettable, it is the subdued interludes that resonate the most. The series delves into themes of the corrupting influence of prophecy and the sacrifices made for survival. These components heighten the stakes of “Chief of War’s” conflicts, even if they occasionally risk being eclipsed by the action.

Co-created by Jason Momoa and Thomas Pa’a Sibbett, “Chief of War” narrates the tale of Hawaii’s unification from an Indigenous viewpoint. Featuring a predominantly Polynesian cast, spearheaded by Momoa, much of the dialogue is in Hawaiian, with cultural advisors ensuring authenticity. The production team crafts an immersive journey, taking audiences to the Hawaiian Islands at the close of the 18th century.

The series opens with the realms of O’ahu, Maui, Kaua’i, and Hawai’i ensnared in unending warfare. A prophecy foretells a great king to unify them, yet this only intensifies the kings’ ambitions, exacerbating the strife.

At the heart of the narrative is Maui warrior Ka’iana (Momoa), a historical character known for lassoing and slaying a shark. Despite his prowess, Ka’iana doubts he is the foretold king. That role is claimed by Maui’s King Kahekili (Temuera Morrison), who initiates a savage campaign to unite the domains, shocking Ka’iana and leading to his defection. Straddling kingdoms and traditions, can Ka’iana aid in unifying the Hawaiian Islands with minimal bloodshed?

“Chief of War” carefully explores the perils of prophecy and colonialism. Kahekili’s zealous belief in the prophecy drives him to madness, while Hawai’i’s advisors push Kamehameha (Kaina Makua) toward conflict despite his inclination for peace. The contrasting approaches to prophecy from the two leaders provoke questions about the course of history, which Ka’iana wrestles with throughout the season.

Characterized as “a chief of contradictions” by Kamehameha’s spouse Ka’ahumanu (Luciane Buchanan), Ka’iana hails from Maui but serves Hawai’i. Once a peace-seeking Chief of War, he is among the few Hawaiian characters acquainted with Europeans and Americans, learning English and how to wield a gun, which he believes will shift the balance against Kahekili.

Ka’iana’s quest for more firearms ignites conversations about trade and the influx of Europeans and Americans into Hawaii. “Chief of War” implies that triumph through weaponry could result in colonization. Amidst the grand scale of the kingdom conflicts, there’s a stifling sense of colonial forces encroaching, particularly during quieter scenes when Ka’iana reflects on his changes since mingling with white people.

While probing into prophecy and colonialism, “Chief of War” also seeks to impress with action. The shark-killing moment sets a high standard for epic scenes, culminating in a decisive battle. Yet, the show questions whether its remarkable violence detracts from its core themes. Some sequences astonish with the brutal realities of war, while others provoke a visceral “hell yeah,” even if they somewhat dilute the broader themes. At times, witnessing Momoa execute a stunning feat is all that’s needed.

“Chief of War” delivers both types of moments, and while the equilibrium is not always ideal, it captivates and serves as a significant milestone for Polynesian representation. “Chief of War” debuts on Apple TV+ on Aug. 1.