The impressive cast is enough to make *Conclave* a film you simply cannot miss. Directed by Edward Berger, famed for *All Quiet on the Western Front*, this psychological thriller showcases Ralph Fiennes, Stanley Tucci, John Lithgow, and Isabella Rossellini. The weight these acclaimed actors bring to their parts captivates with their mere appearance. Furthermore, the story set in the Vatican is equally fascinating, filled with intrigue, sharp wit, and unforeseen turns.

Adapted from Robert Harris’ 2016 novel, *Conclave* explores one of the most confidential ceremonies of the Catholic Church: the selection of a new pope. Following a pontiff’s death, cardinal electors from across the globe convene in a papal conclave, a secluded meeting where they cast votes to appoint the next leader of the Church. What transpires behind those closed doors is a mystery to the outside world, which waits for the symbolic white smoke that heralds a decision. For viewers not well-versed in Catholic customs, this context is adequate to follow along with the film. However, for those who have grown up in the faith, the behind-the-scenes drama and shocking truths can resonate even more profoundly.

### Ralph Fiennes Guides an Extraordinary Cast in *Conclave*

Ralph Fiennes, recognized for his chilling portrayal of Voldemort in the *Harry Potter* films, undertakes a distinctly different role as Cardinal Thomas Lawrence. Fiennes’ versatility as an actor — from the extravagant concierge in Wes Anderson’s *The Grand Budapest Hotel* to the exacting director in the Coen Brothers’ *Hail, Caesar!* — shines through in this restrained yet tension-laden performance. As the dean of the conclave, Lawrence is responsible for supervising the election process, while simultaneously taking on the role of an amateur sleuth, revealing secrets that could destabilize the Church.

The supporting cast is equally remarkable. Stanley Tucci portrays Cardinal Aldo Bellini, a forward-thinking voice advocating for inclusivity and reform within the Church. His composed demeanor starkly contrasts with Sergio Castellitto’s Cardinal Tedesco, an ultra-conservative intent on reverting the Church to tradition. John Lithgow’s Cardinal Tremblay is a slippery character whose intentions are difficult to assess, while Lucian Msamati delivers fiery intensity as Cardinal Adeyemi. Carlos Diehz completes the ensemble as Benitez, a mysterious young cardinal whose abrupt arrival raises eyebrows. Collectively, these actors form a vibrant group, each contending for influence while wrestling with their own limitations and aspirations.

### A Complex and Engaging Thriller

*Conclave* investigates the intricacies of Catholicism, where belief and logic often clash, and human vulnerability meets divine expectations. Director Edward Berger deftly unveils the mystique enveloping the conclave, inviting viewers into its hidden realm. The film’s subtle tone parallels the careful diplomacy of its characters, who frequently communicate in veiled phrases rather than straightforward language. This nuance is expertly encapsulated in Peter Straughan’s screenplay, which infuses the dialogue with unspoken tensions and concealed significances.

For example, Tucci’s Cardinal Bellini critically examines Church doctrine without overtly opposing it, mirroring the delicate power dynamics within the Vatican. This hesitancy to be forthright heightens the film’s central conflicts, where silence often carries the greatest significance.

Beneath the cardinals’ ornate garments and grave rituals, *Conclave* unveils their humanity — their imperfections, ambitions, and vulnerabilities. The film refrains from sensationalizing their wrongdoings but rather approaches them with compassion, acknowledging the intricacies of their roles. Fiennes’ Cardinal Lawrence personifies this struggle, caught between his ideals and the harsh truths of the conclave. His moments of internal conflict, whether exposing corruption or wrestling with personal ethical dilemmas, are profoundly moving and demonstrate Fiennes’ remarkable range.

### Isabella Rossellini Excels in a Subtle Yet Powerful Role

Although the cardinals lead the storyline, Isabella Rossellini’s Sister Agnes offers a refreshing contrast. As a nun operating within the Vatican, she often finds herself in the background, overlooked by the influential men surrounding her. However, Rossellini infuses her character with quiet resilience and sharp insight. In one standout moment, Sister Agnes delivers a pointed address to the cardinals, her curt bow serving as a mic-drop moment that emphasizes her understated rebellion.

The film’s humor is subtle yet impactful, providing occasional moments of relief amid the heavier themes. Rossellini’s performance exemplifies this, mixing humor and depth in a manner that leaves a profound mark.

### A Provocative Conclusion

Ultimately, *Conclave* is less focused on sin and scandal and more concerned with the choices we make and their ramifications. As the conclave nears its climax, the film raises significant questions about morality, leadership, and the essence of faith. The concluding moments, centered on Fiennes’ powerful performance,