Some days commence in a typical fashion but then veer unexpectedly, leading to life-altering experiences for the better.

Jay Duplass’ *Baltimorons* narrates the tale of one such remarkable day. Co-penned with lead actor Michael Strassner, this comedy is both uproarious and touching—starting with an incident as trivial as a broken tooth.

Having collaborated for years with his brother Mark Duplass on films like *Penelope* and *The Creep Tapes*, Jay ventures into his first solo directorial project, remaining faithful to the mumblecore roots of the Duplass brothers. *Baltimorons* revels in its low-budget, character-focused approach, showcasing actors who seem more like genuine individuals than Hollywood stars. However, the humor is broader here compared to earlier Duplass works like *The Puffy Chair* and *Baghead*. Strassner and co-star Liz Larsen excel as an unlikely yet vibrant pair, united by fate and an infectious sense of hilarity. Their chemistry gradually intensifies, leading to a frenetic tapestry of mischief and elation.

### *Baltimorons* is poised to become a comedy classic.

Duplass has discovered an exceptional partner in Strassner, whose flawless comedic timing and disheveled charm make him a standout in the role of Cliff Cashen, a Baltimore local with a convoluted past. Once an aspiring improv comedian on the brink of stardom from a prominent New York sketch program, Cliff now finds himself six months sober on Christmas Eve. His fiancée (Olivia Luccardi) encourages him to join a family dinner, while his former comedy group beckons him back for a holiday performance. Both plans, however, unravel when he unintentionally breaks a tooth, initiating a frantic quest for a dentist willing to assist on Christmas Eve.

Enter Dr. Didi Dahl (Liz Larsen), a straightforward, sixtysomething divorcee with a keen sense of humor and concealed warmth. Under the effects of laughing gas, Cliff spills compliments regarding her appearance and fragrance. Initially indifferent, Didi becomes sympathetic when Cliff’s car is towed, compelling her to act as an unlikely ally. With her own holiday arrangements derailed by a thoughtless ex-husband, she becomes engrossed in Cliff’s escapades, resulting in a journey filled with minor criminality, sweet retribution, and unforeseen second chances.

At first glance, Cliff and Didi appear to share little in common. He’s a well-meaning but aimless millennial, uncertain about his future after stepping away from comedy. She’s a battle-hardened professional, sculpted by life’s letdowns but still susceptible to charm. Their exchanges crackle with intelligence and authenticity, refusing to let each other off the hook. Their chemistry is a joy to behold, and while I’m inclined to reveal a particularly amusing punchline regarding holiday weight, it’s too delightful to spoil. Suffice it to say, witnessing two strangers genuinely recognize each other—and relish that bond—is a pleasure.

### Michael Strassner is an emerging comedy star.

Strassner infuses Cliff with an effortless charm, even rendering dark humor—such as a quip about a botched suicide attempt—surprisingly light. He exhibits a Bill Murray-like vibe, melding silliness with clever comedic instincts, yet possesses a contemporary vulnerability that keeps *Baltimorons* feeling innovative and timely. Cliff is a man wrestling with unfulfilled aspirations, personal blunders, and an uncertain path ahead, yet he manages it all with an open heart and sharp humor. Whether he’s joking in a thick Baltimore accent or attempting to win over skeptical Ravens fans, Strassner’s performance captivates.

Larsen, on the other hand, serves as the ideal counterbalance. She radiates a tough persona reminiscent of Edie Falco’s Carmela Soprano, hinting that Didi has faced betrayal before and is wary of deception. But when she smiles, the romantic side beneath her cynicism shines through. Whether she’s urging Cliff to take a risk or barking commands from a crabbing boat, Larsen infuses her role with depth and warmth. Their adventure spans across Baltimore, exploring serene neighborhoods, dubious parking areas, bustling holiday gatherings, and picturesque waterfronts. Duplass’ understated yet immersive world-building allows the city to feel like a character itself.

At its essence, *Baltimorons* celebrates those precious moments when we lower our defenses and connect with someone new. It highlights the enchantment of vulnerability—not out of gullibility, but from a place of hope.

Duplass and Strassner’s screenplay expertly encapsulates the thrill and unpredictability of such an emotional leap, harmonizing humor with poignant moments. Their mismatched dynamic resonates with Duplass’ prior works, like *Somebody Somewhere* and *Biosphere*, while feeling entirely novel. In short,