To expose the folly and threat of the patriarchy, Julia Jackman transforms it into an actual pantomime in “100 Nights of Hero.” Inspired by Isabel Greenberg’s graphic novel, the “Bonus Track” director’s second feature presents a whimsical, peculiar, and visually captivating interpretation of antiquated views on women and the bravery required to seek more.

A vibrantly colored, queer, feminist fairy tale, “100 Nights of Hero” draws on historical themes viewed through an imaginative perspective. It mirrors the period of witchcraft persecutions and the extensive history of male dominance over women and their bodies. These genuine, relevant elements are showcased through magenta lighting, intricate production design, and lavish costumes.

Incorporating aspects of commedia dell’arte and featuring engaging performances from Emma Corrin, Maika Monroe, Nicholas Galitzine, and a remarkable cameo by Charli XCX, “100 Nights of Hero” stands out as a cinematic gem of the year.

What is “100 Nights of Hero” about?

Set in a medieval-themed empire with contemporary political undertones, “100 Nights of Hero” is composed of symmetrical frames and surreal lenses crafted by cinematographer Xenia Patricia. The film has a fable-like quality, enhanced by stunning visual effects from Paul Rice and sharp edits by Amélie Labrèche and Oona Flaherty.

Through enchanting narration by Felicity Jones alongside Oliver Coates’ ethereal score, we uncover the creation myth of Kiddo (portrayed by Safia Oakley-Green). The misogynistic Bird Man (Richard E. Grant) tarnishes Kiddo’s blissful land with regulations enforced by the Beak Brothers, a faction of chauvinists adorned in bird masks. They uphold their ancestor’s ideals of the perfect wife as “beautiful, obedient, skilled in chess and falconry.” With the help of Rice and production designer Sofia Sacomani, stained glass windows venerate men and caution against sinful women, exalting fertile, docile, obedient women while rebuking other expressions of femininity.

In this environment, we encounter Cherry (Maika Monroe), a noblewoman in an unconsummated arranged marriage to Jerome (Amir El-Masry). They are given an ultimatum: conceive within 100 nights or face the execution of Cherry. Jerome escapes responsibility, as it’s not seen as his fault.

Cherry longs for passion each night, her desires hidden beneath pious white garments. With the deadline looming, Jerome opts to leave for business, but not before wagering with Manfred (Nicholas Galitzine) that he cannot entice Cherry during his absence. Cherry is caught in a dilemma: face death for adultery or failure to conceive.

Fortunately, Cherry has a guardian in her maid and “best friend” Hero (Emma Corrin), who harbors secrets of her own. They’re aptly named Hero.

“100 Nights of Hero” is a treasure trove of dazzling performances.

Adorned in costume designer Susie Coulthard’s creations, the cast forms an impressive ensemble.

Galitzine’s Manfred is a walking red flag, embodying both romantic fantasies and modern dating horrors. He is a self-absorbed rogue, showcasing his masculinity in every scene.

Despite the dominance of male power, the protagonists emerge as heroes. Monroe’s Cherry is a wistful figure, subject to men’s decisions. Monroe offers a wonderfully absurd interpretation of womanhood, leaving segments of freedom and desire for moments with Hero. These instances are the most subtly exhilarating.

Corrin excels as Hero, a narrator and truth detector. Hero offers Cherry a social retreat through a story about three sisters. Illustrated in dreamlike sequences, Hero’s “Story of the Dancing Stones” is interwoven throughout the film. The sisters, played by Charli XCX, Kerena Jagpal, and Olivia D’Lima, deserve their own narrative. They’ve been “prepared for marriage,” yet possess a clandestine talent considered “sinful, wicked, and forbidden for women.” Corrin’s storytelling prowess radiates.

Behind the scenes, skilled professionals breathe life into the film.

“100 Nights of Hero” is a surreal achievement in design.

Production designer Sofia Sacomani, visual effects supervisor Paul Rice, art director Naomi Bailey, costume designer Susie Coulthard, and set decorator Tatyana Jinto Rutherston make the film dazzle. Neon-lit corridors, stained glass, slender dining chairs, and bird-inspired armor culminate in an impressive design. Each frame showcases Coulthard’s costumes.

Coulthard’s creations evoke admiration, emphasizing the patriarchal roots of the Beak Brothers with bird skull masks and cardinal cloaks. Manfred wears sleeves fit for a rogue.

Hero’s maid outfit is both functional and otherworldly. Cherry’s garments reflect her ornamental status, featuring exaggerated sleeves, lace collars, and feathered neck pieces. Monroe embodies restraint in each attire.

At its core, “100 Nights of Hero” explores women’s bravery and resilience, striving for knowledge and passion beyond patriarchal constraints. It unveils a dazzling realm of suppressed identities, male dominance, and female empowerment.