“Kraven the Hunter Is Terrible—Yet What If I Adore It Regardless?”


**Kraven the Hunter: A Wild, Chaotic, and Surprisingly Entertaining Ride**

*Kraven the Hunter* is a cinematic oddity. From its inception, the project raised eyebrows by pairing acclaimed indie filmmaker J.C. Chandor (*Margin Call, A Most Violent Year*) with the superhero genre—a realm far removed from the grounded dramas that built his reputation. Then came the red-band trailer, showcasing the titular anti-hero in feral action: swinging through foes, biting off a man’s nose, and spitting it at another. Sony Pictures seemed to be making a bold statement: this was an R-rated superhero movie that would push boundaries and inject fresh energy into the genre. But then came the delays.

Initially slated for release in January 2023, *Kraven the Hunter* was pushed to October 2023, then August 2024, and finally December 2024. Now that it’s here, the delays make sense—the film is a patchwork creation, with its flaws glaringly obvious. Yet, despite its many shortcomings, *Kraven the Hunter* manages to achieve something rare in today’s oversaturated superhero landscape: it surprises. It’s wild, chaotic, fun, and absolutely not for kids.

### A Radically Reimagined Kraven

This is not the Kraven that Spider-Man fans might expect. The screenplay by Richard Wenk, Art Marcum, and Matt Holloway reinvents Sergei “Kraven” Kravinoff, who is traditionally depicted as a big-game hunter adorned in a lion’s head vest. In this version, Kraven is a vigilante who despises harming animals and instead hunts men—specifically poachers and arms dealers.

The estranged son of a gruff crime boss (played with surly charm by Russell Crowe), Sergei lives off the grid, rebelling against his father’s villainy by meting out his own brand of justice. Armed with mystical superpowers that grant him superhuman strength, agility, and the ability to run on all fours, Kraven’s animalistic movements are often as ridiculous as they are exhilarating. Watching him charge down a city street like a gorilla in pursuit of kidnappers is both goofy and thrilling—a refreshing departure from the overly polished heroics of recent superhero fare.

Kraven’s mission is personal: to rescue his brother Dmitri “Chameleon” Smerdyakov (Fred Hechinger) from rival kingpin Aleksei “The Rhino” Sytsevich (Alessandro Nivola, who devours every scene he’s in). Along the way, Kraven teams up with Calypso (Ariana DeBose), a lawyer with mystical abilities and a knack for wielding a crossbow, and faces off against The Foreigner (Christopher Abbott), a supervillain whose powers are as baffling as his smarmy demeanor.

### A Plot That’s Bursting at the Seams

Chandor’s film ambitiously tries to juggle multiple genres: a father-son drama, a gangster tale, and a superhero epic. At two hours and seven minutes, it’s an overstuffed narrative that struggles to balance its many elements. The film spends an excessive amount of time on Sergei’s traumatic backstory while glossing over key details, like the origins of The Rhino’s powers (explained in a single growling monologue). Characters like The Foreigner, Calypso, and Chameleon are given only cursory development, leaving viewers to fill in the gaps—assuming they’re familiar with Spider-Man lore.

Rather than focusing on the “why” of its story, *Kraven the Hunter* leans into the “what the fuck” of it all. For instance, don’t bother wondering how a man living off the grid can afford a private helicopter and pilot—it’s never explained. But these plot holes are easy to overlook when the film delivers such audacious moments: bloody assassinations, unapologetic ogling of Aaron Taylor-Johnson’s chiseled physique, and Hechinger’s delightfully chaotic turn as Dmitri, who switches from sniveling sibling to suave lounge singer with ease.

### A Post-Production Patchwork

The film’s troubled production is evident in its post-production issues. There’s an overreliance on ADR (additional dialogue recording), with dialogue often mismatched to the visuals. In one glaring instance, Ariana DeBose’s mouth appears oddly out of sync, as if her face were poorly edited in post. While some CGI moments—like Kraven’s rubbery, bounding movements—are less egregious and even nostalgic, others are outright distracting.

### A Hot Mess That’s Hard to Resist

Despite its technical flaws and narrative incoherence, *Kraven the Hunter* benefits from a cast that fully commits to the madness. Russell Crowe is darkly hilarious as Kraven’s cruel