Lena Dunham often depicts abortion in her artistic expressions. In Season 4 of *Girls*, Mimi-Rose (Gillian Jacobs) shares her abortion experience with her boyfriend, Adam (Adam Driver), igniting a dispute while initially discussing the subject straightforwardly. In 2016, Dunham encountered criticism for expressing a desire to have had an abortion, a statement for which she later issued an apology.
Dunham’s latest Netflix series, *Too Much*, extends this narrative. In the fifth episode, “Pink Valentine,” the storyline delves into an abortion theme. The episode draws parallels with the film *Blue Valentine*, illustrating the evolution of a relationship. Jessica (Megan Stalter) reminisces about her time with Zev (Michael Zegen) during a ketamine experience.
Despite a somewhat awkward setup, “Pink Valentine” provides a poignant flashback. The relationship between Jessica and Zev declines from a tender start to one marked by bitterness. Zev belittles Jessica’s passions and disregards her worries, exposing underlying complications in their bond. The episode enriches Jessica’s character, revealing her past with Zev, including their shared dog and aspirations for a family, leading up to her abortion.
*Too Much* features a raw scene of heartbreak. Jessica, pregnant due to infidelity with Zev, yearns for his affection but is met with apathy. Her offhand remark about abortion conceals profound feelings, underscoring her wish for Zev’s backing. Earlier, Zev had lauded Jessica as a prospective mother, yet their love diminishes, culminating in her abortion.
By 2025, *Too Much* will align with shows such as *Ginny & Georgia* and *Adults* in its reflection on abortion. The series approaches the subject without stigma, emphasizing the breakup narrative of Jessica rather than the abortion itself, akin to *Girls*. As reproductive rights encounter obstacles, these representations hold significance. *Ginny & Georgia* insightfully portrayed Ginny’s abortion, while *Adults* tackled issues of access. These series refrain from judgment, framing abortion as a medical act and a fundamental right, particularly following the reversal of *Roe v. Wade* in 2023.
*Too Much* is currently streaming on Netflix.