**Rekindling the Joy of Innocence in *Star Wars: Skeleton Crew***
How can one revive the enchantment of childlike innocence within *Star Wars*, a franchise whose latest television projects have been weighed down by [overwhelming fan service](https://mashable.com/article/ahsoka-season-review) and [dubious creative decisions](https://mashable.com/article/the-acolyte-cancellation-mistake)? The answer, as shown in *Star Wars: Skeleton Crew*, is refreshingly simple: focus the narrative on real children.
The newest entry in the *Star Wars* galaxy is crafted by *Spider-Man: Homecoming* director Jon Watts and writer Chris Ford, merging the vastness of the distant galaxy with the youthful exuberance and treasure-seeking adventure reminiscent of *The Goonies*. This straightforward yet effective blend creates a delightful and nostalgic escapade that distinguishes itself from other *Star Wars* television experiences.
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### What is the story of *Skeleton Crew*?
Taking place in the aftermath of *Return of the Jedi*, *Skeleton Crew* delves into a galaxy where the Empire has crumbled, but piracy thrives. The series quickly immerses viewers in the allure of space piracy, commencing with an exhilarating assault by pirates featuring laser blasters and enormous harpoons used as boarding paths.
From this action-packed beginning, the narrative transitions to the tranquil suburbs of the planet At Attin. This picturesque setting, characterized by manicured lawns, street lights, and neat sidewalks, resembles a suburban American community placed in outer space. Yet, subtle sci-fi elements — such as children zooming around on hoverbikes and adults fixated on something called “the Great Work” — serve as reminders that we are still in *Star Wars*.
While adults are distracted, the youth of At Attin grapple with their own issues. Wim (Ravi Cabot-Conyers), a daydreamer with a fascination for the Jedi, finds it challenging to concentrate on academic responsibilities, especially a crucial exam that will influence his future career. His close companion Neel (Robert Timothy Smith, *Dear Santa*) is more focused yet still joins Wim in pretending to be Jedi and searching for what they think is a concealed Jedi temple.
Simultaneously, determined Fern (Ryan Kiera Armstrong, *Firestarter*) and her tech-savvy, cyborg-like companion KB (Kyriana Kratter) are also hunting for the temple. The two groups ultimately encounter each other in a classic conflict between boys and girls that feels pulled right from a schoolyard confrontation. This relatable interaction, animated by the lively performances from the young cast, contributes an authentic dimension to the narrative.
However, their competition shifts course when they realize that the “temple” is actually a starship — one that transports them to unknown locations. Now, the kids must collaborate to navigate the galaxy and find their way home.
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### A novel perspective on *Star Wars* escapades
The choice to ground the children’s expedition in the organized, everyday life of At Attin pays off tremendously. Once they depart from the suburbs, the stark disparity between their orderly upbringing and the tumultuous, perilous galaxy becomes strikingly clear. As the children encounter pirate hideouts and other nests of villainy, the audience experiences their culture shock along with them.
One of the most charming elements of *Skeleton Crew* is how it conveys the wonder of the *Star Wars* universe through the perspective of children. Their amazement while traversing space for the first time parallels the emotions many of us experienced when we first viewed *A New Hope*. Their blend of terror and awe when encountering space pirates — brought to life with astonishing animatronics — feels genuine and relatable. Even the alien designs, such as Neel’s blue, elephant-like head, evoke a playful sense of nostalgia for classic *Star Wars* creatures.
Enhancing the narrative is Jod Na Nawood (Jude Law, *The Order*), a mysterious Force user who aids the children in escaping peril. Yet, Jod is far from a conventional guide. Rather than serving as the wise caretaker, he embodies a morally ambiguous character who keeps both the kids — and the audience — on their toes. His interactions with the group, especially with dreamer Wim and pragmatic Fern, infuse the story with depth and tension.
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### A self-contained narrative
What distinguishes *Skeleton Crew* from other *Star Wars* series is its emphasis on crafting a standalone narrative. In contrast to recent installments in the franchise, which frequently depend on ties to other *Star Wars* properties, *Skeleton Crew* steers clear of unnecessary connections (at least in the initial three episodes provided for review). This creative decision allows the show to establish its own identity, presenting a direct and exhilarating adventure that remains unburdened by broader franchise expectations.
By centering on the children’s