When it comes to transforming J.R.R. Tolkien’s narratives, Peter Jackson’s *Lord of the Rings* trilogy sets the benchmark. Efforts to mirror its triumph, like the *The Hobbit* films, have encountered difficulties, while Amazon’s *The Rings of Power* has struggled to condense the expansive lore of Middle-earth into concise seasons.
Now, *The Lord of the Rings: The War of the Rohirrim* presents a new perspective. Directed by Kenji Kamiyama (*Blade Runner: Black Lotus*), this animated prequel delves into the storied realm of Rohan, occurring 183 years prior to *The Lord of the Rings*. Although it takes cues from Jackson’s trilogy, *The War of the Rohirrim* does not simply replicate the same approach. It champions a darker atmosphere and a distinctive structure, harnessing anime to vividly animate Tolkien’s universe in a visually and thematically separate manner.
### A Narrative Seen Through Éowyn’s Perspective
Kamiyama, alongside screenwriters Phoebe Gittins and Arty Papageorgiou, contextualizes the film as a historical narrative narrated by Éowyn (voiced by Miranda Otto, returning to her role). Her narration acts as a link between live-action and animation, reinforcing the concept that anime signifies legend while live-action stands as the intended reality of the film.
Central to this legend is Héra (voiced by Gaia Wise), a character who reflects Éowyn in numerous ways. Like Éowyn, Héra is the offspring of a king of Rohan—Helm Hammerhand (voiced by *Succession*’s Brian Cox). She is a proficient rider and warrior, resolute in her desire to emulate the shieldmaidens of yore. One can easily envision Éowyn recounting her tale to motivate future generations.
### A Valiant Heroine and a Nation at War
The tale commences when Dunlending lord Freca (voiced by Shaun Dooley) suggests that Héra wed his son, Wulf (Luke Pasqualino), her childhood companion. Both Héra and Helm oppose the notion, and Helm’s wrath incites a savage clash. In a single catastrophic blow, Helm slays Freca, sparking a deep-rooted feud. Years later, Wulf amasses an army and advances on Rohan, compelling Helm, Héra, and their people to withdraw to the Hornburg stronghold for a decisive stand.
This siege echoes the Battle of Helm’s Deep from *The Two Towers*—after all, Helm Hammerhand is the namesake of the fortress. However, *The War of the Rohirrim* does not merely retell that legendary confrontation. Instead, it portrays a grueling, protracted siege that tests the characters to their breaking points.
### A Siege Like No Other
Unlike the conflicts in Jackson’s trilogy, which take place over just a few days at most, the siege in *The War of the Rohirrim* spans an entire winter. The film vividly depicts the adversities endured by both factions. Within the Hornburg, Rohan’s populace battles hunger and despair, while outside, Wulf’s army contends with the relentless chill. The suspense escalates as Wulf erects a monumental siege tower, threatening to breach the fortress walls.
Heightening the tension, whispers circulate of a spectral entity haunting Wulf’s encampment. The film briefly ventures into Gothic horror territory, alluding to supernatural elements within the Hornburg. This chilling subplot introduces an additional layer of intrigue before offering a surprisingly poignant conclusion.
### ADistinct Addition to Middle-earth
While *The War of the Rohirrim* connects to Jackson’s films through recognizable locations and motifs, it simultaneously distinguishes itself. The anime format enables a heightened, stylized portrayal of Tolkien’s realm, while the film’s emotional depth and relentless siege sequence render it a unique and captivating entry in Middle-earth’s cinematic legacy.
Ultimately, *The War of the Rohirrim* transcends a mere prequel—it’s a compelling saga of fortitude, vengeance, and optimism, narrated through the lens of a warrior who could have motivated Éowyn herself.
*The Lord of the Rings: The War of the Rohirrim* is currently streaming on Max.