Wes Anderson’s movies, ranging from “The Royal Tenenbaums” and “Fantastic Mr. Fox” to “The Life Aquatic with Steve Zissou” and “Asteroid City,” frequently delve into the lives of flawed paternal figures attempting to bond with their offspring through unconventional tactics. His newest feature, “The Phoenician Scheme,” focuses on such a paternal endeavor.
Benicio del Toro plays Zsa-zsa Korda, a merciless tycoon fixated on acquiring riches until he reconnects with his estranged daughter, Liesl (Mia Threapleton), who is on the verge of becoming a nun. He welcomes her into his residence and requests her help with a complicated business scheme, aspiring to make her his successor. Liesl’s values come into conflict with Korda’s moral void, spurring a discord he attempts to mitigate with extravagant gifts. Nevertheless, her faith and activism may resonate deeper than his material wealth.
In a conversation, Anderson shed light on the personal inspirations driving the narrative, del Toro’s impact on Korda’s characterization, and the notion of a “secular rosary.”
Anderson drew inspiration from his mother for aspects of “The Phoenician Scheme.” He expressed that the film provides an optimistic view of the parent-child dynamic disrupted by conflicting beliefs. Korda is portrayed as a harsh individual prepared to go to any lengths for his ambitions, yet Liesl’s resistance to his unethical methods begins to alter him. Anderson reminisced about a moment when Korda opts to align with Liesl’s convictions.
Anderson’s father also played a role in shaping the father-child relationship throughout the film and his wider body of work, which often showcases flawed fathers grappling with their mortality. While he conveyed affection for his father, Anderson recognized the influence of his father’s absence on his storytelling.
Benicio del Toro’s participation affected Korda’s role. Initially astonished by the magnitude of his part, del Toro’s modesty and kindness inspired Anderson and co-writer Roman Coppola’s narrative approach. Anderson depicted Korda as a character ensconced in violence but possessing a lighter, hopeful aspect that emerged through del Toro’s contributions.
Liesl, likewise, possesses depth that extends beyond her father’s impact. Anderson highlighted her elegance and capacity for transformation, proposing that Korda’s business endeavor may unconsciously serve as a means to connect with her. Anderson concluded that Korda’s enterprise could prove more fruitful than it appears, as it nurtures a bond with his daughter.
“The Phoenician Scheme” is currently showing in theaters.